At this point, perhaps for the only time in my life, I fell onto the floor laughing so hard it just didn't matter. In the words of Jan Hooks as Bette Davis, "I fell RIGHT out of my chair!" This must have been as she begins her Big Finish at 03:21; I think I fell to the floor at 03:37.
After that, I was hooked. Later that year I bought the album for myself; it's one of the two LPs I still own (wherever it is . . . ) even though I no longer have a stereo on which to play it. While I no longer go into hysterics, I still get a thrill every time I hear one of her recordings. She's so BAD!
But this was hardly a daily, or even an annual, indulgence. Florence isn't usually what is now called "top of mind." So I was surprised to read in the last 2000s that Souvenir was on Broadway. "Why," I asked, "would anyone write a play about Florence Foster Jenkins?" And when my friends Jason and Jack and I sat in the front row of the original Boston production at the Lyric, I found out. For me it's really the story of her long-suffering accompanist Cosmé McMoon, and the depth of the friendship these two performers allowed to flower as they worked together (at least according to the playwright). Seeing the revival (with the same outstanding cast, Leigh Barrett and Will McGarrahan), it was more emotional for me to recognize those moments.
But the performance in 2009 (or whatever year it was) was most memorable for me because I caught the carnations during Clavelitos! Clavelitos was one of Florence's favorite encores (which she never recorded, darn it). It involved tossing flowers into the audience from a little basket. And now I'll try to quote the album liner notes from memory: "On one occasion, in a moment of confusion, the little basket followed the blossoms into the audience. It, too, was received with spirit." (So now you know where "I will receive it with spirit!" comes from.) If Florence had to repeat it, the flowers (and the basket) had to be retrieved from the audience. And again, my memory of the liner notes: "At this point the behavior of the audience beggars description." I just love that!
Jason and Jack and I went to see the 2014 movie together. Let's face it, Mme. Meryl can do no wrong, and she was beautifully supported by Hugh Grant (as Florence's "husband" St. Clair Bayfield) and Simon Helberg (as Cosmé). It's a beautiful evocation of Florence's world. I'm glad I saw the movie, but I don't feel compelled to see it again.
The last two pieces of the puzzle of Florence Foster Jenkins, which i didn't even know existed, fell into place just this year. Over the summer I discovered her biography in my favorite used bookstore, Tim's Used Books. At last, the truth about her father's wealth and death, her brief career as a music teacher, her move to New York with her mother and their money, her (mostly self-created) niche in the music community, her coterie, her audience, her life as a hotel resident.
That book alluded to undiscovered movie footage of her recitals at the Ritz. Since the publication of that book, someone found them and they're on the Yewytbbe! And you'll see at one point she appears to be tossing flowers into the audience (and perhaps a basket) - the Clavelitos!