Kitchen Renovation: THE BIG REVEAL, Part II

When most people think kitchens they immediately think appliances. Whereas my attention was captured by color, art, and decorative touches. So, thank goodness everything works (except for that niggling issue of the wash machine wanting to break through the exterior wall to freedom), and let’s take a look at the decorative elements that led to the, um, unique theme of Howard Johnson’s at Versailles.

The first thing is always “Work with what you’ve got,” right? So, what did I have? Some wonderful midcentury furniture from Gramma’s house, vintage Fiestaware (including several pieces in the famous Radioactive Orange* that were actually made with uranium oxide), and some beat-up Franciscan Starburst. I also had The Urn, and after 17 years in the cellar it was time for it to make a comeback.

In the words of the late Cole Porter, “It’s appalling! It’s appealing!”

In the words of the late Cole Porter, “It’s appalling! It’s appealing!”

Back in the early 1990s when Daddy was on the hospital board of directors, he was given The Urn as a Christmas gift; everyone else on the board got one, too, I gather. Mother, of course, thought it was awful and wouldn’t have it in the house. I, on the other hand, thought it was hilarious and begged to have it to put on top of the john. It played a prominent role in my bathroom decor at both Beacon Street and Columbus Avenue, but when I moved to Maison Robaire there was no obvious place for it, so off it went to storage. It was the linchpin of the Versailles half of the scheme.

IMG_4930.JPG

In the old kitchen I’d used beautiful orange sarongs patterned with green leaves on vines for curtains, and they cast a wonderful glow in the room late in the day. The view is inconsequential, so I never open the curtains in here. “How,” I asked myself, “could I incorporate a view of Versailles in this room?” The answer turned out to be screening early 18th-century illustrations of Versailles gardens and fountains onto “tapestries” from Fine Art America, getting the dry cleaner to hem them at the top, and hanging them on café curtain rods. In front of them I hung white gauze curtains and tied them back with roughly color-coordinated ribbon left over from Christmas or birthday gifts. (Always save the ribbon if it’s pretty.)

Pastelitos and Boston Cream Pie by Kurt Walters, hanging over the desk between the windows.

Pastelitos and Boston Cream Pie by Kurt Walters, hanging over the desk between the windows.

At the Simie Maryles Gallery in Provincetown in 2019 I discovered the Dessert Series by Brooklyn artist Kurt Walters, and was completely charmed by his work. While I missed out on the Apple Crisp that first captivated me, I was delighted to bring home his Pastelitos, a handsome Cubano offering a basket of traditional Cuban pastries in a beach atmosphere of blue and sand — with just enough hints of orange to make it work the Howard Johnson’s half of the scheme. Last month I snapped up one of Kurt’s latest series, Boston Cream Pie. Aside from its Boston roots, this smiling baseball player has the added advantage of coordinating completely with the curtains.

IMG_4960.JPG

Now, if you’re talking desserts and Versailles in the same sentence, you are of course going to think of a famous queen who lost her head and something she was supposed to have said about eating cake that she didn’t actually say. I talked Kurt into painting Marie Antoinette with a cake in front of the Petit Trianon, and I love having her as a presiding spirit in here. At the moment she’s been displaced by Boston Cream Pie, but I need to talk Kurt into a companion piece for her, a Howard Johnson’s soda jerk with a hot fudge sundae, so . . .

Notice wire sculptor Brian Murphy’s wire head of Marie Antoinette.

Notice wire sculptor Brian Murphy’s wire head of Marie Antoinette.

So that’s the Versailles half of things. The Hojo half starts with their colors: blue, orange, and white. Originally I was flirting with a, shall we say, bolder, more authentic color scheme having found some vinyl floor covering on the internet in koi orange. I was persuaded to lighten up, and eventually my English friends steered me to a wonderful tile company that made a vinyl floor tile in pale blue (almost an exact match with the Franciscan Starburst). So I painted the ceiling a pale orange that really turned out to be a bold yellow, but I still love it.

Mother’s pill basket.

Mother’s pill basket.

Orange turns up elsewhere: in Fiestaware, in my new teakettle, and drawer pulls and cupboard handles. Whatever the cabinets came with was just too ordinary! The orange throw rugs from the old kitchen work just fine in here, too. Mother’s little medicine basket has a peach ribbon running through it. She made it herself in an art class, and kept all her pill bottles in it for years. She even brought it with her to the hospital on that last day. I love having it, but I keep fruit or other kitchen things in it.

IMG_4962.JPG

During construction, one of the surprises (for me, anyway) was the need for a new circuit breaker located in the kitchen. Circuit breakers are notoriously unattractive, and I knew I’d need to mask it somehow. The poster everyone signed for my Boston Ballet farewell party in 2003 works perfectly, and with the added benefit of featuring Adriana Suarez. Every room benefits from the presence of Adriana!

IMG_4953.JPG

By the door I have three generations of family needlework. Mother’s “Be It Ever So Humble There’s No Place Like Home” I have always loved. Laura made especially for me the coffee and beignet still life for Christmas! How special is that?! And over the door is Gramma’s “No Matter Where I Serve My Guests, It Seems They Like My Kitchen Best.” This hung in her kitchen next do the dining room door, and it takes me right back to her house when I see it.

IMG_4974.JPG

The refrigerator in the old kitchen had been covered in magnets and postcards, but that approach wasn’t going to work with my tall, slim, handsome new Bosch. When my English friends came to visit in 2016 they brought me these beautiful magnets from the Alhambra, and they couldn’t be more perfect.

Note the orange handle.

Note the orange handle.

Finally, I keep a special message over the sink.

Green Red Wing Pottery vases, Franciscan Starburst butter dish, salt and pepper from Gramma’s kitchen, all on a counter of Eternal Noir Suede quartz. (Or granite. Whatever.)

Green Red Wing Pottery vases, Franciscan Starburst butter dish, salt and pepper from Gramma’s kitchen, all on a counter of Eternal Noir Suede quartz. (Or granite. Whatever.)

*Yes, Fiestaware fans, I know that color is officially red, but it’s orange.

Monday Evening, 26 July -- Fraud and Pork

1) The horoscope today began with something like “Nourish yourself with what is beautiful.” As the day progressed I could tell why, because my mood depressed as I considered more and more the global and national situations.

2) Late in the afternoon I got an email from Ypple about my new yPhyne being delivered tomorrow to my home address at [Insert Address Definitely Not My Home Address Here]. Wait, what?! First I had to call Ypple to say “What on earth, dahlings?!” and they took care of it with their legal department or whatever. They also confirmed the last four digits of the credit card involved — yup, it was one of mine. The card company was helpful via their chat function, and my card has been successfully cancelled. So yay for the Ypple email system working as it should! But I am doing figure eights about my information being hacked.

2a) Insert Fulminations about a Credit Rating Agency with Impossible Customer Service Systems Here.

3) By then it was decidedly time to “prepare the burnt offering” for dinner. There were things I needed to use soon, so I ended up tossing a chopped onion, a peeled and sliced red apple, a very small clove of garlic, a small handful of raisins, and a package of thin-sliced pork cutlets into a skillet with some olive oil and a bit of nutmeg — just to see what would happen — and you know, it came out quite palatable. Doing the dress dinner challenge the last two winters and experimenting with new recipes has also made me a bit more willing to improvise in the kitchen.

Saturday, 3 July -- Provincetown, Day Four

Yesterday was pleasant but unremarkable, so here we are with today.

1) Coffee chatter with a housemate on, among other things, project management.

2) Late on a gray morning I decided to take the recommendation of a friend and explore a different cemetery, the Winthrop Street Cemetery, which is Provincetown’s very first burying ground. Essentially an overgrown sand dune, I was impressed with the near-pristine condition of many of its marble tombstones, the piney tree cover, and the presence of Mrs. on several of the tombstones.

IMG_3970.JPG

3) Notable graves included an obelisk listing the three husbands of one woman (usually it’s the other way around, isn’t it?), a small stone for five young children, and a couple whose graves were divided by the sandy path.

IMG_4013.JPG

And in death they shall just appear divided.

4) Then a late breakfast at the bar the Post Office Café, where I was immersed in an atmosphere of exceedingly loud “Oh Mary!” style camp (which I often practice myself, as you very well know.)

5) Vodka was always the bottle to bring to Casa Gizmo, but suddenly everyone’s drinking gin. So I picked up a bottle and was amused by the sign on the exit door. And then later by the tip jar at Pop and Dutch. My love to double entendre is going to get me in trouble.

6) Shoals of confused people on Comical Street just standing in the way while the rain came down like Shakespeare’s Quality of Mercy.

7) Connie’s Bakery turned out to be the perfect place to pick up dessert for dinner this evening. I ended up with four slices of their Walk of Shame pastry; I don’t remember the schtick the counterman used to describe it, but sweet mercy goodness.

7a) The woman behind the counter added to that with the cheerful rhyme “You’ve got no class if you don’t eat ___.” And I thought “I need to floss now.”

IMG_4024.JPG

8) Back at the house the weekend guests had arrived. Over a light late lunch we covered many topics, not least the comparative virtues and vices of the two ferry companies.

7) And now, it’s naptime!

Thursday, 1 July -- Provincetown, Day Two

1) “If you don’t like the weather, wait five minutes,” blah blah blah. With thunderstorms in the forecast, it seemed clear that the beach would not be possible . . . and yet the weather could be deceptively clear.

2) Breakfast al fresco at Liz’s Café — formerly Tippy Toppy of beloved memory — where the parking lot has been commandeered for outdoor seating. Excellent coffee and a smoked salmon and cream cheese omelette.

3) Having missed my usual Wednesday column because of traveling, I knew I would have to spend the morning writing and publishing a column. But I really had to wrestle it to the ground before I felt comfortable publishing, and even then it was too wordy.

4) After that, with a wee bitty of a headache, I knew I needed a change of scene. So I ankled down Bradford Street to a place I’d never really visited in Provincetown: the cemetery.

IMG_3947.JPG

4a) Walking from Bradford to the cemetery, down — oh, I don’t remember the street names, Alden, Standish? — reinforced for me that I really know only a very small part of P’town (even after 25 years) and ought to get out a bit more. What I know is mostly Comical Street from the P’town Inn to the PAAM, the crescent formed by Pleasant and Franklin, and Herring Cove.

IMG_3919.JPG

5) Well, what a contrast from Forest Hills! Windswept, almost no tree cover but the occasional cypress or something, and yesterday bleached and blasted by the heat. Many tall rectangular slabs of white marble from the 19th century were flush with the ground — either through misadventure or malevolence — and indeed I noted that this cemetery included quite a few modest ground-level markers. From a distance it made the place look even emptier.

IMG_3926.JPG

6) All the Provincetown communities were there: the Yankees (mostly 19th-century), the Portuguese fishing community, the artists, and the gay/lesbian community. For the first time I felt I was seeing the graves of non-celebrity same-sex couples — beautiful, poignant, and ordinary. For several of them, it appeared that one member of the couple was still living. One stone included the date of their first date and the day of their marriage.

IMG_3917.JPG

7) One child’s grave from a century or more before had been decorated with beads and a plastic flamingo. Dahlings, when my time comes, I don’t want you bringing plastic to my grave! Bring whiskey, champagne, and the good crystal, and have yourself a little party. And if security or anybody gives you a hard time, tell ‘em I’m gonna come back and haunt ‘em. And I will.

8) But it was hot. I had to adjourn to Ben and Jerry’s for a hot fudge sundae. And then, home.

8a) Mercy goodness people, if you’re in a hurry, take Bradford.

9) I spent the afternoon crunching some numbers (again, the weather), and then figured out how to work my new airpods all by myself without asking anyone. 😇

IMG_3951.JPG

10) After cocktails, during which I was introduced to Rick and Morty 😱, the household dined in. Since I’d done none of the cooking, I happily washed up. This time this meant witnessing a debate about how to clean a cast-iron skillet, after which I was handed a tiny piece of chain mail. “And what is this? A fetishkini?” I asked. Turns out there is such a thing as a chainmail dishcloth!

10a) The secret ingredient is violet syrup. But . . . to what?

11) So as if discovering a new, unexpected use for chain mail didn’t blow my mind enough, we then switched on the new movie version of In the Heights. Deeply moving on more levels than I expected, and able to go places the stage version couldn’t because movies are magic in a different way. See it.

Sunday Morning, 27 June -- 🐜😱

1) Sometimes things don’t go according to plan. I brought my coffee and notebook out to the back porch, expecting to write al fresco on this cool gray morning in a space made private with the bamboo blinds I got last year. Wiping off the little desk I thought little of noticing a couple microscopically tiny pale bugs. Imagine my horror when I glanced to my left and discovered the bamboo blind alive with hundreds and hundreds of them!

1a) AIGH! followed swifty by EECCCCCCCHHHHHHHHHHHH!

2) The only possible reaction was to roll up the blinds, retreat inside immediately, strip, and shower. And then bring my coffee and notebook into the study.

3) An internet search reveals how to clean mold off a bamboo blind, which is helpful, but doesn’t mention bugs. I am hoping these are just mealy bugs or bamboo mites or just plain old ants and not actual termites (God help me). They are definitely not bamboo beetles at least.

3a) The nice pest control man is already scheduled July 9 for the quarterly visit, and the remedies suggested (for mold) are household things like baking soda and white vinegar, but still . . . I think I’m gonna have to toss those blinds out.

Friday Evening, 25 June

1) The last two days I have had paralyzing moments of doubt and remorse about things from the past, both near and far, that can kind of be summed up with three quotations from my Bag of Old Sayings Mostly (But Not Always) from Golden Age Hollywood:

  • Queen Gertrude: “O Hamlet, speak no more:
    Thou turn'st mine eyes into my very soul;
    And there I see such black and grainéd spots
    As will not leave their tinct.”

  • From Camille, Robert Taylor as Armand: “I thought you didn’t like sad thoughts.”

    Greta Garbo as Marguerite (smiling): “I don’t, but they come sometimes.”

  • From Soapdish, Sally Field as Celeste: “I had my reasons. Maybe they were dumb reasons, but they were reasons. Hellllllllllllllllllllll, I’m not a genius. I’m just a working actress!”

2) Finalmente, I am close to finishing Field of Blood after months and months of false starts. Glad it was the only book I brought to the Cape last week. Then George IV: Inspiration of the Regency, which covers the “painted bag of maraschino’s” influence on fashion, military life, architecture, art, politics, ostentation, and of course fornication and adultery. And then I can really turn my attention to the new biography from Hugo Vickers, The Sphinx: The Life of Gladys Deacon — Duchess of Marlborough. Gladys (pronounced GLAY-dis) was one of those great beauties who would stop at nothing to retain her own beauty, including injecting paraffin into her forehead or something to retain her classic profile. Oops, didn’t work.

3) Sweeping open the parlor curtains this morning, I discovered that the big white hydrangea right outside the window is bursting into bloom. In that moment of surprise it looked like an arrested wave. The only other thing blooming the garden right now is a few random tiger lilies.

Monday Morning, 24 May -- Morning Meditations

Up early after heavy sleep — besides which the arborist is coming at 7:30 AM (!) to estimate the cost of removing a couple trees from the property line — and three quotes from this morning’s devotional have decided to move in with me — uncomfortably, which of course is the value of meditation:

1) From Baltasar Gracián’s The Art of Worldly Wisdom, number 197: “Never stumble over fools. A fool is someone who doesn’t recognize a fool, and, even more, someone who does, but doesn’t get rid of him [emphasis mine]. Fools are dangerous to deal with, even superficially, and do much harm if you confide in them. For a while they are held back by their own caution or that of others, but the delay serves only to deepen their foolishness. Someone who has no reputation can do only harm to yours . . . “

2) From Marie Kondo’s The Life-Changing Magic of Tidying Up: “No matter how wonderful things used to be, we cannot live in the past. The joy and excitement we feel here and now are more important.”

3) From Paul Arden’s It’s Not How Good You Are, It’s How Good You Want to Be: “Experience is the opposite of being creative.” Also, “If you can’t solve a problem, it’s because you’re playing by the rules.”