1) The news, shall we say, impacted my sleep. Even though I knew I needed to get up early, my body anticipated the alarm by a few minutes.
2) Mademoiselle served me a café au lait and a beautiful omelette, light and golden as cannot be found in America. The day was off to a good start.
2a) I must say, for a quirky little hotel with a DJ spinning in the lobby every night, I saw more than a few well-dressed business professionals, both ladies and gentlemen, passing through the lobby.
Cousin George!
3) Today’s first destination was the Musée Guimet, dedicated to Asian art. On the Avenue d’Iéna, imagine my surprise at seeing a statue of Cousin George at the intersection; the American embassy must be nearby. Being early, I lingered outside in the hot sun before the 10 AM opening, reading the news and looking with idle concern at the number of schoolchildren arriving to tour the museum.
4) I really did not know what to expect — oddly, I chose the Guimét because I was going to the Louvre later — so imagine my delight at finding bits of Angkor Wat right there. Such graceful decay, such elegant curves.
Absolutely mesmerizing.
4a) But the most captivating (I choose the word carefully) piece was a sculpture of a woman set into a curve around her head almost like an ear. I looked at it for a good five minutes.
4b) A Korean moon jar, exquisite tiny bottles for snuff or scent, astonishing sculpture (one goddess could have been Leontyne Price in front of a large artichoke — why not?). Some of the pieces recall the old saying by I forget whom “Good design is not when there is nothing left to add, but nothing left to take away. (I just looked it up and the internet says Antoine de Saint-Exupéry said it, but the links all look sketchy.)
A pillow shaped like a tiger!
4c) Happily, the school groups had zero impact on my visit. But after about 90 minutes, I knew I needed to press on to my big destination, the Louvre. How convenient, the Métro was right there at the museum’s entrance. Surprise!
5) On the Métro platform I saw a lady put together as only a Parisienne would be: red boater with a wide brim over curly brown gray hair, white blouse not too close fitting, and a tiered and flounced skirt of a couple different bandana patterns of navy blue and white. Perfect.
Gaspard de Coligny, admiral of France.
6) Walking down the Rue de Rivoli in search of a bottle of water, I noticed the heat, the tourists, and the Louvre Oratory, now given over to Protestant worship. Streetside there was a beautiful memorial to Gaspard de Coligny, one of the martyrs of St. Bartholomew’s Day massacre of 1572.
6a) I got my water at a tourist shop just in time to hear a little boy break a coffee mug.
6b) With some time to kill, I sat on the steps in the deep shade of the Carrousel (sp?) entrance. Sadly, I found out I couldn’t use that entrance, pauvre moi, and I had to head out to the heat-blasted courtyard and the Pyramid. I was very anti-Pyramid when it was first unveiled, but I have definitely come around.
6c) That said, when the line started moving, I was at the metal detector in ten minutes.
6d) Interestingly, quite a few people were using folding fans. How Spanish! I rather wish I’d brought mine (the Medusa one Jonathan brought me back from Florence), but it was in my room. I was deliberately traveling light at the Louvre.
7) Finalment, I was inside! And the thing about the Louvre is, ya gotta keep on truckin’, no matter how tired and footsore you may get. There will be something of interest to see in 95% of the places you end up there. So . . . allons y!
Hans Hoffmann’s famous rabbit. I recognized it immediately because Mother had découpaged it in the early 1970s.
7a) I began with a special exhibition related to the collections of Rudolf II of Prague, full of the excitement of a period when people started asking questions about why the world works as it does, a period of great intellectual curiosity from the highest levels (the opposite of what we’re seeing now, alas). Full of allegories, engravings, carved ivories, and a fabulous collection of cups carved from semiprecious stones.
7b) Then began what I would call the Hardcore Louvre Experience. You just start somewhere in the permanent collection and keep going until your brain is full and your feet are gone. I started in the sculpture court on the Sully side, flooded with strong afternoon sun, transitioned through more French medieval et cetera sculpture, medieval Not Sculpture interspersed with gowns from the Louvre Couture exhibition, the Imperial State Apartments, then up to the second floor for acres of paintings (and wandering in that labyrinth forever, only once having doubled back on my path), down to the first floor, through Italian paintings to the Mona Lisa (I wasn’t going to, having seen her in 2008, but then I felt I ought to pay my respects), the painting I really didn’t want to miss, down to the ground level through more sculpture, and then out into the underground mall in the Pyramid. It took a little over three hours.
7b.i) What the Louvre needs is a nap room with foot massage. I’m totally serious.
7c) Throughout I had little jolts of recognition of when I was there in 2008, and from my parents’ copy of Art Treasures of the Louvre, which I grew up with. (Copies of it are found in every used bookstore in America today.) But I made new friends in the collection along the way.
7d) Roaming around the second floor was very easy. But the first floor, where the Mona Lisa and Winged Victory are to be found, was a mob scene. A humid mob scene, as it turns out someone had left an enormous window open. Don’t they climate control this space?! I remembered getting to visit the university library in Coimbra last fall, where tour groups are allowed to be in the library only ten minutes, and there are ten-minute gaps between groups entering and leaving — all to control the humidity.
Viewing the Mona Lisa. Glad I did in 2008.
7e) Watching people watch the Mona Lisa is more entertaining to me than Mona Herself. One of my eccentricities.
7e.i) But with a museum stuffed with treasures, the world has chosen to focus on this one rather small and enigmatic portrait. And some people will do anything. Entry to the gallery is through two doors at the far end, and you must exit through one door at the opposite end. There are two staffed barriers on either side of Mona; as I was passing one on my way out, a man with two family members in tow tried to rush past to get close to Mona the back way. The guard prevented him, but as I was leaving him I noticed him starting to attempt entry on the other side. Naughty naughty!
7f) And what was the painting I really didn’t want to miss? The Death of Elizabeth I, Queen of England, by Paul Delaroche. (Please note, not Delacroix — learn from my error.) All I remembered was that she was hung high on a wall in a large gallery; turns out that gallery is just after Mona. Had I not gone to pay my respects, I’d’ve missed the Death of Bess altogether!
7g) The other thing they make very clear at the Louvre is the Point of No Return. You may have a ticket, but once you leave, you may not go back inside. But as I left, I was just grateful and exhausted, and feeling all the power of the Louvre in my lower back. I did my best to follow the signs through all the shops (an astonishing number of shops), to the Métro.
8) I had an intense nap back in my room — like the dead, I tell you — and when I woke up about 6 PM, I knew I wanted to get a little table at the bistro in the Place Pigalle, Les Vedettes. Because it was close, and also picturesque. Well, all the tables in the front were taken, so I took a promenade around the corner to see if I couldn’t find something else as picturesque. What I found instead was a long string of sex shops with a lot of unladylike lingerie, a little leather, and unimaginable devices, all in their front windows. This will be the last time I see a miniature pink Eiffel Tower made of silicone. “We’ll always have Paris” indeed!
9) A table had opened up at Les Vedettes by the time I passed by again, and I settled down to a couple glasses of rosé and a salade césar with a chopped galliard of fried chicken and a hard-boiled egg in it. And then a negroni. The soft evening breeze and light emphasized the activity around me, as well as the placid scattering of the large fountain.
9a) The activity around me included a young man with dark hair wearing a white monk’s habit with white socks, black shoes, black backpack, and a large rosary looped into his belt. He just stood at the intersection for a noticeably long time, and I began to wonder if he was going to be soliciting funds. Before long a friend in civilian clothes greeted him and they walked off. Imagine my surprise when I discovered enjoying a drink at a table outside my hotel.
9b) My negroni came with a tiny spoon in it. How novel!